Dr. Ng Kian Seng's Choice Poem #11: Serpent in DisgustHis commentsI picked poem no.11, “Serpent in Disgust.” Of the other 14, some are twice-told tales. Others give me a sense of déjà vu, the poems are places I have been to, the images are not digital photographs but dog-eared black and white prints.
Poem 11 is a new country. But the setting for the story was the old country. The trigger for the poem was a “da bao” event. A journalist, with the aid of a very graphic video clip, had reported that a bun maker had added pieces of discarded cardboard to the meat in his buns. Everybody swallowed the story, bun, meat, and cardboard and it was a culinary first in recycling until someone broke the news and revealed that it was a hoax.
The public reaction was “an uproar.” It was a cheap imitation of an Ern Malley. The indignation of being hoaxed and hoaxed exceedingly was something most people could not stomach, “my stomach turned/ my taste buds protest.” (Paragraph 1.) Indignation ran like a great wall across 8 kingdoms.
It was not just a single indignation. The initial indignation was against the bun maker who cheated. The second was directed at the journalist, it was a greater indignation, the indignation of being fooled by someone who, instead of dishing out the truth, cooked up a tale taller than the highest “long mountains,” “the television in the room/ is broadcasting/about a certain toothpaste/ I stared at the tube/ and vomited.” (Paragraph 2.)
In paragraph 3, the poet moved from judging others to self examination, “stared at the ceiling/ a few fine cracks/ stared back at me.” The poet suddenly realized that only those without cracks can cast the first stone. The hotel room is perhaps a metaphor for one’s own self and the self is not so perfect after all. It can collapse as hotels have been known to collapse. Self examination can be so frightening that the poet “ran out of the room/ and the hotel.”
The last paragraph is the revelation; we who pretend to be “awakening dragons” are but “serpents in disgust.” (Paragraph 4.) The dragon is always associated with all things auspicious; the serpent is the scaly, slimy, slithering architect of the Fall.
I picked poem 11 because of a number of reasons. The weightiness of the theme. The clever use of images. The vitality of expression. The economy of words. It is a poem you want to visit again. And you probably want to postcard it to a friend.
But I would have worked harder at the title, Serpent in Disgust are not mellifluous words. And I would have preferred a title that is more redemptive. An epigraph about the “da bao” story, if included would have made the poem easier to access. And easier for the reader to own. The third paragraph was too hastily written. In lines 5 to 8, there was a lapse in the careful crafting and control of lines that was so evident in the first two paragraphs.The end result was a cracked mirror image. I would also have worked harder at the concluding paragraph, it was too abrupt and I would have preferred the poet to show and not to tell.
And here my revision of the poem:
Awakening Dragon the smell of
freshly steamed buns
was too alluring
a bite into it
my stomach turned
my taste buds protest
in an uproar
what meat bun is this
tasting like cardboard?
i must rinse my mouth
to rid of its foulness
the smell of fresh mint
fills my toothbrush
and mouth
the television in the room
is broadcasting
about a certain toothpaste
i stared at the tube
and vomited
flopped onto the bed
stared at the ceiling
a few fine cracks
stared back at me
then dust fell onto my white
washed face, as the cracks widened
and lengthened, the crumble started
i ran out of the room
and the hotel
IÂ’m no awakening dragon
but a serpent, who, when tempted
by eve, fell from the card
board tree.