Posted by peebrain on 6 December 2005
Perfidia
Delusive hope, so often
the fickle partner of strong love
dwells in the well of lost plots,
where malformed ideas ferment
in the ironic shapes of narrative streams,
permanently dammed
'til an invisible hand offers
salvation to all who are faithless,
boojummed into a cynic's myopic view
from cliches and ideals and scorn
a faint gossamer thread is woven,
strung across one world and the next,
always in search for the elusive raven,
a cunning jester festering in Poe's wake,
he clenches melancholy like a worn silk scarf.
Within the rubik cube of space and time
flies a scarlet ibis banished
from a rime of sea and salt, silently watching
Delusive hope, so often
the fickle partner of heady wine-love,
curve her lips in a Sissyphus smile.
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To Wurtzel, whose pain is human and strange
Twenty-three pills crushed, bent double
from the grind lined up like smartly dressed soldiers
shipped off to war; they march on plastic countertops
stained saffron with coffee or backs of moleskins -
ready at a moment's notice
to rape onion sinuses
with a single dynamite charge, a deafening roar
no one else hears but you and I
they are our lovers, these enigmatic agents
always within reach, by the telephone or the rolodex
a wallflower's best friend at a book signing
unselfish while others wear thinly
as we wail, "me, me, me" in piteous need
for the next quick fix, to sleep
to eat, to speed.
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The Pleasure of Seeing You From Afar
The pleasure of seeing you from afar
is a pen tipped in iron --
words flow bold and resolute until you wander
carelessly into my path, and stop the world on its point.
I have circumscribed my world around you.
It is impossible to love you twice; but I listen
with my eyes -- for the air that you sigh is
uttered, vibrant, shaped, articulated like
sonorous thunder in the skies of skies
It is impossible to love you twice,
yet the beauty of those in transition, and those in isolation
paints passion like a requiem for a blood-filled vein.
A poet's words simply are. They are both the void and
the space that fills. Every excess is a mistake.
The pleasure of seeing you from afar,
is why I've built a colonnade for my dreams,
surrounded it with intervals, colours, even echoes
of a narcissus's whim, if only -- if only
for the simple pleasure of seeing you from afar.